Friday photo: danger lurking behind the clouds

The moment: danger lurking behind the clouds

The place: Near Asheville Regional Airport (KAVL), Asheville, NC

The aircraft: Piper Aztec

The memory: While I would have preferred a clearer view of the Blue Ridge Mountains near Asheville, NC on the way back north from a family vacation in South Carolina, the obscured view east toward Mt. Mitchell illustrates the dangers that can lurk in mountainous areas. This was an IFR trip for sure and routing and altitudes should always be carefully selected so you can enjoy the sights from a safe vantage point.

Want to share your “Friday Photo” of your first solo, checkride or other special moment? Send your photo and description (using the format above) to: [email protected]

Air Traffic Control room

TRACON Directory

On occasion, there may be a need to contact a Terminal Radar Approach Control (TRACON) facility by phone. For IFR pilots, it’s a convenient method for obtaining or canceling an IFR clearance if a direct radio frequency is not available. For VFR pilots, you may want to check on a good time of day for a VFR arrival.

While FAA has a published TRACON numbers for many years as part of a modernization effort, it’s not always easy to quickly locate a facility’s contact information. It’s always good practice to check airport listings in the chart supplement for a clearance delivery phone number, but Student Pilot News has also published this directory as a reference tool. The directory includes stand-alone TRACONs and those co-located with Control Towers.

Please submit updates or corrections to [email protected].

Download a PDF copy.

LocID Facility Name City State Phone
A11 Anchorage Anchorage ALASKA 907-271-2700
A80 Atlanta Peachtree City GEORGIA 678-364-6131
A90 Boston Merrimack NEW HAMPSHIRE 603-594-5500
ABE Allentown Allentown PENNSYLVANIA 800-728-6322
ABQ Albuquerque Albuquerque NEW MEXICO 505-842-4366
ACT Waco Waco TEXAS 817-858-7584
ACY Atlantic City Atlantic City NEW JERSEY 703-771-3587
AGS Augusta Augusta GEORGIA 706-771-1777
ALB Albany Latham NEW YORK 518-862-2299
ALO Waterloo Waterloo IOWA 630-906-8921
AMA Amarillo Amarillo TEXAS 505-856-4861
ASE Aspen Aspen COLORADO 303-651-4257
AUS Austin Austin TEXAS 512-269-7865
AVL Asheville Fletcher NORTH CAROLINA 770-210-7696
AVP Wilkes-Barre Avoca PENNSYLVANIA 570-655-2084
AZO Kalamazoo Portage MICHIGAN 269-964-0283
BFL Bakersfield Bakersfield CALIFORNIA 661-575-2079
BGM Binghamton Johnson City NEW YORK 631-468-1425
BGR Bangor Bangor MAINE 207-561-2521
BHM Birmingham Birmingham ALABAMA 205-769-3907
BIL Billings Billings MONTANA 406-255-2798
BIS Bismarck Bismarck NORTH DAKOTA 701-223-8790
BNA Nashville Nashville TENNESSEE 615-781-5460
BOI BOISE Boise IDAHO 208-364-5860
BTR Baton Rouge Baton Rouge LOUISIANA 225-354-2142
BTV Burlington S. Burlington VERMONT 802-657-4401
BUF Buffalo Cheektowaga NEW YORK 440-774-0490
C90 Chicago Elgin ILLINOIS 847-289-0926
CAE Columbia West Columbia SOUTH CAROLINA 803-822-5242
CAK Akron-Canton North Canton OHIO 440-774-0223
CHA Chatanooga Chattanooga TENNESSEE 423-855-6478
CHS Charleston Charleston SOUTH CAROLINA 843-414-2832
CID Cedar Rapids Cedar Rapids IOWA 630-906-8921
CKB Clarksburg Bridgeport WEST VIRGINIA 304-84-6676
CLE Cleveland Cleveland OHIO 216-352-2323
CLT Charlotte Charlotte NORTH CAROLINA 704-344-6487
CMH Columbus Columbus OHIO 614-338-8537
CMI Champaign Savoy ILLINOIS 217-355-4069
COS Colorado Springs Peterson AFB COLORADO 719-556-9105
CPR Casper Casper WYOMING 307-472-8940
CRP Corpus Christi Corpus Christi TEXAS 361-299-4230
CRW Charleston Charleston WEST VIRGINIA 304-344-5867
CVG Cincinnati Erlanger KENTUCKY 859-372-6440
D01 Denver Denver COLORADO 303-342-1916
D10 Dallas – Ft Worth Dallas-Fort Worth TEXAS 817-858-7584
D21 Detroit Detroit MICHIGAN 800-499-8181
DAB Daytona Beach Daytona Beach FLORIDA 386-226-3939
DAY Dayton Vandalia OHIO 303-342-1600
DLH Duluth Duluth MINNESOTA 218-740-5950
DSM Des Moines Des Moines IOWA 515-974-8016
ELM Elmira Elmira NEW YORK 607-739-1971
ELP El Paso El Paso TEXAS 505-756-4861
ERI Erie Erie PENNSYLVANIA 716-626-6920
EUG Eugene Eugene OREGON 541-607-4674
EVV Evansville Evansville INDIANA 812-436-4690
F11 Central Florida Orlando FLORIDA 407-825-3398
FAI Fairbanks Fairbanks ALASKA 907-474-0050
FAR Fargo Fargo NORTH DAKOTA 701-235-8894
FAT Fresno Fresno CALIFORNIA 559-487-5405
FAY Fayetteville Fayetteville NORTH CAROLINA 703-771-3587
FLO Florence Florence SOUTH CAROLINA 843-669-5194
FNT Flint Flint MICHIGAN 269-459-3345
FSD Sioux Falls Sioux Falls SOUTH DAKOTA 651-463-5588
FSM Fort Smith Fort Smith ARKANSAS 479-649-2416
FWA Fort Wayne Fort Wayne INDIANA 630-906-8921
GEG Spokane Spokane WASHINGTON 509-742-2522
GGG Longview Longview TEXAS 817-858-7584
GPT Gulfport Gulfport MISSISSIPPI 228-265-6151
GRB Green Bay Green Bay WISCONSIN 920-431-5741
GRR Grand Rapids Grand Rapids MICHIGAN 269-459-3345
GSO Greensboro Greensboro NORTH CAROLINA 336333-5119
GSP Greer Greer SOUTH CAROLINA 770-210-7692
GTF Great Falls Great Falls MONTANA 406-454-7555
HLN Helena Helena MONTANA 406-449-5756
HSV Huntsville Huntsville ALABAMA 256-542-2070
HTS Huntington Huntington WEST VIRGINIA 317-247-2411
HUF Terre Haute /Hulman Terra Haute INDIANA 812-877-7581
I90 Houston Houston TEXAS 713-847-1400
ICT Wichita Wichita KANSAS 316-350-1520
ILM Wilmington Wilmington NORTH CAROLINA 703-771-3587
IND Indianapolis Indianapolis INDIANA 317-484-6600
ITO Hilo Hilo HAWAII 808-840-6262
JAN Jackson Jackson MISSISSIPPI 601-965-4625
JAX Jacksonville Jacksonville FLORIDA 904-741-0284
K90 Cape Falmouth MASSACHUSETTS 508-563-1400
L30 Las Vegas Las Vegas NEVADA 702-262-5978
LAN Lansing Lansing MICHIGAN 269-459-3345
LBB Lubbock Lubbock TEXAS 817-858-7584
LCH Lake Charles Lake Charles LOUISIANA 337-480-3103
LEX Lexington Lexington KENTUCKY 859-514-7890
LFT Lafayette Lafayette LOUISIANA 337-262-2729
LIT Little Rock Little Rock ARKANSAS 501-379-2908
M03 Memphis Memphis TENNESSEE 901-322-3350
M98 Minneapolis Minneapolis MINNESOTA 612-713-4000
MAF Midland Midland TEXAS 432-563-2123
MBS Saginaw Freeland MICHIGAN 269-459-3345
MCI Kansas City Kansas City MISSOURI 816-329-2700
MDT Harrisburg Middletown PENNSYLVANIA 800-932-0712
MFD Mansfield Mansfield OHIO 440-774-0223
MGM Montgomery Hope Hull ALABAMA 334-284-4575
MIA Miami Miami FLORIDA 305-869-5400
MKE Milwaukee Milwaukee WISCONSIN 630-906-8921
MKG Muskegon Muskegon MICHIGAN 269-459-3345
MLI Quad City Milan ILLINOIS 630-906-8921
MLU Monroe Monroe LOUISIANA 318-327-5641
MOB Mobile Mobile ALABAMA 251-662-6236
MSN Madison Madison WISCONSIN 630-856-4562
MSY New Orleans New Orleans LOUISIANA 504-471-4350
MWH Grant County Moses Lake WASHINGTON 509-762-2842
MYR Myrtle Beach Myrtle Beach SOUTH CAROLINA 843-477-2727
N90 New York Westbury NEW YORK 718-656-0335
NCT Northern California Mather CALIFORNIA 916-366-4001
NMM Meridian Meridian MISSISSIPPI 601-679-3691
OKC Oklahoma City Oklahoma City OKLAHOMA 405-681-5683
ORF Norfolk Virginia Beach VIRGINIA 757-464-0757
P31 Pensacola Pensacola FLORIDA 850-266-6884
P50 Phoenix Phoenix ARIZONA 602-379-4226
P80 Portland Portland OREGON 503-493-7500
PBI Palm Beach West Palm Beach FLORIDA 561-684-9047
PCT Potomac Warrenton VIRGINIA 540-349-7500
PHL Philadelphia Philadelphia PENNSYLVANIA 215-492-4100
PIA Peoria Peoria ILLINOIS 630-906-8921
PIT FAA Pittsburgh ATC Pittsburgh PENNSYLVANIA 412-269-9237
PSC Pasco Pasco WASHINGTON 509-542-4209
PVD Providence Warwick RHODE ISLAND 401-738-8945
PWM Portland Portland MAINE 207-874-7320
R90 Omaha Bellevue NEBRASKA 402-682-4395
RDG Reading Reading PENNSYLVANIA 800-932-0712
RDU Raleigh-Durham Morrisville NORTH CAROLINA 919-380-3125
RFD Rockford Rockford ILLINOIS 630-906-8921
ROA Roanoke Roanoke VIRGINIA 540-563-1307
ROC Rochester Rochester NEW YORK 440-774-0490
ROW Roswell Roswell NEW MEXICO 505-856-4861
RST Rochester Rochester MINNESOTA 507-727-8111
RSW Fort Myers Fort Myers FLORIDA 239-768-1377
S46 Seattle Burien WASHINGTON 206-214-4600
S56 Salt Lake City Salt Lake City UTAH 801-325-9600
SAT San Antonio San Antonio TEXAS 210-805-5507
SAV Savannah Savannah GEORGIA 912-964-3205
SBA Santa Barbara Goleta CALIFORNIA 661-575-2079
SBN South Bend South Bend INDIANA 630-856-4561
SCT Southern California San Diego CALIFORNIA 858-537-5800
SDF Standiford Louisville KENTUCKY 502-375-7499
SGF Springfield Springfield MISSOURI 417-868-5620
SHV Shreveport Barksdale AFB LOUISIANA 817-858-7584
SPI Springfield Springfield ILLINOIS 217-535-1425
SUX Sioux Gateway Sioux City IOWA 651-463-5588
SYR Syracuse North Syracuse NEW YORK 315-455-6218
T75 St Louis St. Charles MISSOURI 314-890-1000
TLH Tallahassee Tallahassee FLORIDA 850-942-8311
TOL Toledo Swanton OHIO 419-865-1495
TPA Tampa Tampa FLORIDA 813-371-7700
TRI Tri-Cities Blountville TENNESSEE 770-210-7692
TUL Tulsa Tulsa OKLAHOMA 918-831-6714
TWF Twin Falls Twin Falls IDAHO 208-734-710
TYS Knoxville Loisville TENNESSEE 770-210-7692
U90 Tucson Tucson ARIZONA 520-829-6121
Y90 Yankee Windsor Locks CONNECTICUT 800-386-3500
YNG Youngstown Vienna OHIO 330-856-4806

More acronyms…what’s an STC and TSO?

We live and breath acronyms in aviation. Accept it or else. Two more that you may not be all that familiar with are “TSO”, Technical Standard Order, and “STC”, Supplemental Type Certificate.

TSO vs STC

When looking at approvals for aviation equipment, the two terms are often used interchangeably, but are not the same. By definition, an STC is something that affects the type certificate of the aircraft. A type certificate is approved and issued the the FAA when an aircraft is manufactured and confirms that the aircraft is manufactured according to an approved design and complies with airworthiness standards. The type certificate is very prescriptive and dictates everything related to the design and build.

To alter the the type certificate for the aircraft, one would need to apply for, and receive approval of, a Supplemental Type Certificate (STC). For example, if you want to replace the navigational lights or seat belts on your aircraft, the replacement lights and belts would need to have an STC issued for your specific type of aircraft. The new equipment manufacturer would manage this process and advertise the replacement as compatible with your model. Keep in mind, lights that are STC’d for a Boeing 737, aren’t normally STC’d for a Cessna 172. 

A TSO, on the other hand, is a minimum performance standard for specified materials, parts, and appliances used on civil aircraft. When authorized to manufacture a material, part, or appliances to a TSO standard, this is referred to as TSO authorization. Receiving a TSO authorization is not an approval to install and use the article in the aircraft. It only means that the article meets the specific TSO. There are different TSOs for different parts of the aircraft. The TSO for life vests is of course different than the TSO for headsets. 

TSO for headsets

When evaluating the reams of data available on aviation headsets, you will inevitably encounter models that use TSO – the FAA’s term for indicating it is approved for use on an airplane.  

This might strike you as odd. Why would a portable headset fall under the scrutiny of the FAA? After all, neither your flight bag nor your flashlight needs an FAA approval. Why would any gear that is not permanently attached to the aircraft need TSO?

The answer for most pilots is that it doesn’t matter. Operating under FAR Part 91, general aviation flying, there is no requirement as to what type of headset is used in the cockpit. The FAA comes into play when you look at, or transition, to airline flying (Part 121 air carrier certification). All airlines are required to comply with more stringent FAA regulations. The standards are provided to the airline in the form of Operations Specifications or “OpSpecs” and can require, as part of the communication equipment, for a headset to meet TSO standards.

These standards, and how they are applied, may vary depending on the airline. I’ve heard reports of airline policies requiring a TSO’d headset to be available in the cockpit, yet pilots have the option to use their personal headset instead of the issued headset or headset that was delivered with the aircraft. Other policies might specifically require the use of a TSO’d headset for communication. If you’re worried about violating a company policy, check with your chief pilot prior to purchasing a non-TSO’d headset.

If you’re a new flight student and are looking to transition to the airlines someday, it might be worth considering the TSO’d headset options. Keep in mind that most pilots take years from the time they start, to the time they make it to an airline, and during that time, may transition through several headsets. However, headsets do represent a sizable investment.

What makes a Headset TSO’d?

Why buy a TSO’d headset if you don’t have to? Is there a benefit to having a headset that has the FAA’s stamp of approval? What does a manufacturer of headsets have to do to get the approval? Is this like the “FAA-approved” alternator that can be found for 80% less at the local automotive store?

Not exactly. The FAA won’t grant a TSO to just any headset. There is a long list of requirements that must be met prior to the granting of that designation. Some of it is crossing t’s and dotting i’s, but the testing procedure is pretty intense. It includes:

  • Mechanical durability evaluated through the tests such as drop, vibration, cable/connector pull and bending, etc.
  • Environmental robustness evaluated through the exposure of high/low temperature, humidity, fluid, altitude, decompression, electrostatic discharge, flame, etc.
  • Electroacoustic performance evaluated through various parameters such as sensitivity, frequency response, distortion, and noise for both microphone and speaker, ANR, etc.  
  • RF immunity tested in terms of susceptibility to RF signals including lightning, voltage spikes, etc.

In addition to physical testing, a headset manufacturer must convince the FAA that it plans to service and support the headset for many years to come. Clearly-labeled parts that are replaceable, FAA inspections of the manufacturing facility, alerting the FAA to changes to parts, quality testing—the sheer volume of paperwork involved in getting a TSO and maintaining the TSO is extensive. It’s no wonder that only a few manufacturers complete the TSO process. 

If you are occupying the left seat on a major airline flying heavy iron across the pond, you’ll probably need a TSO’d headset. If you’re going to be in a single-engine bug smasher for the next four years, you probably don’t need to check the TSO box. 

If you can’t sleep at night and want to check out the current TSO-C139, you can find the complete document here. Don’t forget the referenced 250+ page document, RTCA/DO-160E: Environmental Conditions and Test Procedures for Airborne Equipment. I’d suggest reviewing the riveting chapter on salt fog testing, or maybe magnetic effect? It’s a real page-turner. 

Video: landing on a mountain runway in Papua New Guinea

Short and soft field operations might seem academic when you’re learning in a Skyhawk on a 6,000 foot long runway. But for some pilots these types of landings are just part of the job. Fly along with two professional bush pilots in this video, as they take their Kodiak into a remote mountain runway. On speed and on glide path is the only way to fly here.

Video courtesy of Missionary Bush Pilot.

GoPro on dash

Pilot’s guide to flying with the GoPro Hero 8

Whether you like it or not, cameras are an integral part of our lives in 2020. They’re on our phones and iPads, in our front porch doorbells and on the trunk of our cars. The purpose varies greatly with each application, from capturing the fun times out with friends to security monitoring at your home and office.

GoPro on dash

GoPros are a great way to record training flights.

Some of the most memorable experiences in a pilot’s life occur in the cockpit of an airplane, so it only makes sense to bring a camera along to capture the sights and sounds on your flights. From your first solo, to landing at your favorite vacation spot with family, or capturing the approach lights as you break out from an instrument approach to minimums, you’ll find there are nearly endless reasons to bring a camera along on your flights.

The easiest and most cost-effective method is to use the video camera built into your iPhone or iPad. While this is a convenient option to record short clips of a unique cloud formation or passing traffic, it’s not very practical for extended use in the cockpit for a variety of reasons:

  • It requires pilot attention (a.k.a distraction) to hold the camera, frame the shot, start/stop the camera – not ideal for high-workload times
  • Videos shot on the iPhone take up a lot of storage space, which is at a premium for many users on their mobile devices
  • Quality and stabilization on mobile phones is subpar compared to the latest action cameras

For those reasons, many pilots choose to go with a small, dedicated camera, like a GoPro. I’ve used many action cameras over the years, from Sony, DJI, Garmin and others. My opinion on “what’s best” has fluctuated many times over the last ten years as each manufacturer developed new technologies and released better and better cameras.

To give a little context, GoPro has been around since 2002 and has developed many iterations of action cameras in the 18 years since. The first few models were well-accepted by sports enthusiasts because they were easy to use and made video recording easy for just about anyone. It didn’t take long for other companies to join in and develop similar action camera models, many with better features and superior video quality over GoPro.

GoPro

The GoPro HERO 8 is the best action camera we’ve ever flown with.

During this period I preferred to use cameras from Garmin and Sony, as their recording quality was superior to the mid-generation GoPros. Fast forward to today though, and the GoPro 8 is back in the lead, with better-than-ever features, mobile app integration, and the best 4K picture quality on the market.

I’ve used every GoPro model since the HERO2 in 2011, and it’s been fun to watch the evolution of the product. I’ve used the HERO8 extensively in a wide variety of aircraft while producing aviation training videos for Sporty’s Pilot Shop, from a Cessna 172 and Extra 300 to Cessna Citations and Airbus helicopters. I’ve also put it through its paces in some extreme environments, including skiing and dogsledding in the mountains of Montana and wakeboarding on the lakes of Tennessee. Unlike earlier models, the HERO8 is nearly indestructible and delivers reliable performance every time.

On the aviation side, the 4K video is so balanced and sharp that it blends right in with the footage shot on our Sony 4K production camera. And best of all, the HERO8 includes an upgraded hypersmooth feature to help you achieve stable, vibration-free shots in the airplane.

Getting started

Flying with a GoPro means different things to different people and usage will vary greatly among pilots. One thing hasn’t changed though – ease of use. Once you secure the camera in your preferred spot in the cockpit (or outside on the wing or fuselage), there’s literally nothing else to do besides press the record button. The camera automatically takes care of all the rest, so you can focus on flying and not get distracted with complicated camera controls.

For those looking for a simple answer on how to get going, here is a bare bones quickstart checklist:

  1. Charge the battery for 2 hours before first use
  2. Buy a memory card (the camera doesn’t come with one)
  3. Buy a suction cup mount for your interior window:
  4. Download the GoPro app
  5. Adjust the camera settings
    1. RES | FPS – 4K | 30
    2. Lens – Wide
    3. HyperSmooth – On

Of course there are many more customization options related to power, storage, mounting, video settings, audio recording, app integration and more for those who want to take their system further. Here’s a deep dive into all the options.

Battery considerations

Like previous-generation cameras, the HERO8 includes one battery with the kit. It will take about 2 hours to charge an empty battery, so factor in this time before your first use (it’s ok to always leave it on the charger). To charge the battery, insert it into the camera by opening the side access door and then use the included USB-C charging cable with any standard USB wall or car charger (your iPhone or iPad charger will work if you don’t have an extra).

Battery pack

A backup battery pack is a valuable accessory.

You can expect to get about 1 hour and 15 minutes of recording time (+/- 15 minutes depending on your settings) on a full charge. To keep the camera recording for longer durations, you have several options:

You’ll notice something different about the appearance of the HERO8 battery – it’s blue on the end. While it has the exact same dimensions and capacity as the battery used in the HERO 5/6/7 models, it is designed to allow for a higher discharge rate to support reliable operations at 120 and 240 FPS with the hypersmooth feature enabled. You can use HERO 5/6/7 batteries in the HERO8, but you’ll see a warning message each time on power-up and will not be guaranteed reliable recording performance when using slow motion and hypersmooth.

Pro Tip: Buy the GoPro Dual Battery Charger – this includes a 2nd battery and convenient charger, allowing you to keep two batteries fully charged at all times and ready for your next flight.

MicroSD card

The standard GoPro 8 camera does not include a memory card, so you’ll need to buy one before you can use the camera. Like with all memory and storage, the price on MicroSD cards has never been cheaper, so this won’t be a big expense. To get technical, here are the specifications from GoPro when buying a memory card:

  • microSD, microSDHCTM, or microSDXCTM
  • Class 10 or higher UHS-I rating
  • Capacity up to 256GB

While you can still buy 16 and 32 GB cards, I’d recommend at least a 64GB MicroSD card when using the GoPro 8, which will give you about 2 hours of recording time at the max 4K recording resolution.

Pro Tip: Buy a card rated at U3 or higher with at least 128GB – these cards last forever, so the high-performance specs will help future-proof your purchase and meet the needs of more demanding cameras in the future.

Mounting

Camera mounting is one area where you’ll want to consider your aviation-specific needs and plan accordingly. The first consideration is to ask yourself – what do you want to shoot? When starting out most pilots want to capture the view out the front of the airplane, out the side window and back at them flying. Fortunately, all three angles can be set up with a single suction cup mount, which works very well on plastic windows. While GoPro makes its own suction cup mount, I prefer to use a model that allows for more security and flexibility, like the Robust GoPro Suction Cup Mount. If you prefer RAM mounts, consider the RAM GoPro Suction Mount. Both incorporate dual ball joints, allowing you to rotate and aim the camera in an infinite number of positions.

GoPro Mount

A suction cup mount is the most versatile mounting solution.

If your airplane has exposed support structures in the cockpit, consider using a clamp style mount. I also find the clamp mount useful in larger airplanes with strong glareshields, to shoot directly out the front.

As you gain confidence using the GoPro in the cockpit, you may want to consider external mounts to capture dynamic shots of the exterior of the airplane (yes, temporary mounts are legal in the eyes of FAA). There are so many variables here related to airplane configuration and preference that it’s tough to give a one-size-fits-all option like interior mounts, but here are popular mounting accessory options.

External Mount with ball joint – can be used anywhere you can find a #6, #8, #10 screw or AN4 bolt (I typically consult with an A&P when using this mount). For example on a Cessna 172, this mount is useful under the wingtip to capture the side profile of the airplane.

Strut mount – great option for high-wing Cessna airplanes

Tie Down Mount – easily secure the camera on the bottom of the airplane looking forward

Adhesive Mount – this is by the far easiest option if you own your airplane, but choose your location wisely and consider it a semi-permanent fixture. I’ve used this basic mount with Patty Wagstaff on the wing of her Extra 300 and it (and the camera) will stay securely in place through high-speed and high-G maneuvers.

Pro Tip: Once you purchase a suction cup mount (either the Robust or RAM type), you can easily add another attachment using the ball joint to switch to additional fixtures. I would suggest keeping both a suction cup and clamp mount in your flight bag for flexibility.

Using with GoPro app

GoPro app

The GoPro app is an easy way to control your camera.

You’ll want to download the free GoPro app for your iPhone, iPad or Android device when using the HERO8. Not only can you adjust all camera settings and preferences from the app, it’ll serve as a real-time viewfinder to help frame your shots. Like with the camera itself, this app has come a long way from the early versions and is very reliable now. You can also use it to manage your video files and make basic edits.

GoPro also significantly improved its computer software for editing your footage on either a Mac or PC, so make sure to download that free program as well.

Pro Tip: The one area where I’ve experienced some reliability issues with all GoPro models (including the HERO8) is starting and stopping the camera recording with the app. For this reason, I try to always use the physical start/stop button on the camera and make sure the beeps are set as loud as possible for aural feedback.

Camera settings

While the camera is completely automated when it comes to exposure, focus, etc, there are some settings you may want to tweak to further refine your shot:

  • Resolution – I prefer to shoot everything now at 4K resolution, to capture the most detail possible. You can, however, choose to record at a lower resolution if you choose. Why might you choose the 1080 resolution instead? It’ll allow you to capture twice as much footage compared to 4K on a memory card, and you’ll find the footage is easier to edit and work with if you don’t have a powerful computer.
  • FPS – this stands for Frames Per Second, and 30 frames per second is the standard value here for most video. Selecting 60, 120 or 240 is often referred to as slow motion, since it allows you to re-time the footage later for a slow-mo effect. While this is fun to use with action sports and other activities, I haven’t found much use for it in the cockpit.
  • Lens – At 4K resolution, you have the option to select Wide or Superview lens options. If I’m shooting out the window of the airplane, I typically go with the Wide option to prevent distortion at the edge of the frame. If shooting inside the cockpit, you may find the wider Superview option works better to keep everything in the shot.
  • Hypersmooth – I prefer to leave this setting on all the time, as it uses overscan and digital processing to remove even the harshest engine or turbulence-induced vibration. You will see the recorded video slowly bounce around the frame, but this adds to the realism. It’s worth experimenting with it off for a few shots to appreciate the difference it makes in the airplane.

Pro Tip: Set up presets for camera settings if you find yourself changing them frequently. For example, you might want to create a 4K wide lens preset for shooting out the front, and a separate 4K superview lens preset for shooting in the cockpit. This makes it easy to quickly switch in the airplane without having to reconfigure individual settings each time.

Cockpit audio

GoPro audio cable

Recording cockpit audio can make your videos much more valuable for training.

Like previous models, the GoPro 8 includes an internal microphone to capture ambient audio. Many pilots prefer to tap into the intercom to record cockpit and ATC audio, to help tell a better story with their video. To do this, you’ll first need the appropriate audio adapter, which will connect your from the headset jack to the USB-C port on the camera:

Both of these adapters include a USB-C pass-through port, allowing you to still keep your camera charged while recording cockpit audio. There’s one thing different on the design HERO8 compared to previous models to make note of – the battery, MicroSD card slot and USB-C port are all behind the same protective door. While I haven’t had any issue recording with the door removed, there’s a possibility for the battery to become unseated in a high-vibration environment like an airplane.

To accommodate this, GoPro offers an optional Media Mod accessory which extends the USB-C port to an exterior location on the frame. It also includes a higher-quality direction microphone, HDMI port (for playback on a TV) and 3.5mm mic port for other audio recordings.

Pro Tip: The input/output settings in the Preferences menu provides fine control over audio input settings. You’ll want to do a test with your particular airplane audio panel to make sure it’s recording properly using the trial and error method with the various mic options. Read more here.

Prop filter

GoPro wingtip

External mounts are another option for in-flight videos.

For years I’ve recommended using a prop filter with any action camera to reduce the distracting effects of propeller distortion when shooting out the front of the airplane. This was always a tradeoff, as it was designed to trick the camera into automatically adjusting the shutter speed, but the downside was often a darker shot with less detail, color, and added graininess.

With my experience using the HERO8 though, this is really no longer needed, thanks to improvements with the camera sensor. You may see a little propeller distortion compared to shooting with a higher-end camera, but in my opinion, the better picture quality achieved by not using it is worth tradeoff.

Should I upgrade?

There has never been a better time to invest in a camera for the cockpit, thanks to the advances in design, technology and 4K picture quality with the HERO8. If you currently use a GoPro HERO4 or older and actively use your camera in the cockpit, I would definitely consider upgrading to the latest model. You’ll be blown away with the improvement in picture quality, hypersmooth stabilization, and more reliable experience with the GoPro app.

The improvements from HERO5 to 6 to 7 were more incremental, introducing higher frame rates at high-resolution settings and continuous improvements to the stabilization feature. If you own a HERO5, I would still give a strong recommendation to upgrade to take advantage of the picture quality and stabilization improvements. HERO6 and 7 owners will see less of a difference but may find value in upgrading to take advantage of the new accessories supported when using the Media Mod attachment.

 

See GoPro cameras at work in this aerobatic video from Patty Wagstaff

Shop all GoPro cameras and accessories

Friday photo: “clear above”

The moment: Breaking out on top

The pilot: anonymous

The place: Near Richmond Municipal Airport (KRID), Richmond, IN

The aircraft: Piper Malibu Mirage

The memory: There’s nothing like breaking out on top after departing a cloudy Muncie, IN. After weeks away from the cockpit, I decided to mount my GoPro HERO 8 for a lasting memory and was able to grab this cool shot above an overcast layer near Richmond, IN although it looks like it could be anywhere in the world.

Want to share your “Friday Photo” of your solo or checkride moment? Send your photo and description (using the format above) to: [email protected]